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Rob Reynolds

Literature Books Writing Reviews

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    • Another Relationship Story
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    • T Ray Sayin’
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    • The Artist
    • Sleeping with the Stereo On
    • A Brief Argument Against Evangelical Christianity
  • Reviews/Readings
    • What Good Writing Looks Like: “Eyewall,” from Lauren Groff’s Florida
    • Clayton Draper and the Terrible, Horrible, No Good, Very Bad Review
    • Disgrace, by J.M. Coetzee
    • How the Dead Dream, by Lydia Millet
    • Train Dreams, by Denis Johnson
    • 10:04, by Ben Lerner
    • Jesus’ Son, by Denis Johnson
    • In The Lake of the Woods, by Tim O’Brien
    • Songdogs, and Fishing the Sloe-Black River, by Colum McCann
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    • My Private Dictionary
    • Falling
    • Snake
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    • Dinosaur Party
  • Commonplace Book
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    • How Poem Titles Get Created
    • Writing Instruction from John Barth’s “Lost in the Funhouse”
    • Cat Owners Manual
  • Novel Excerpts
    • Clayton Checks out The Complex’s Theater
    • Kitties in the Night
    • Clayton Reads a Classic
    • Leap Day
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  • A Brief Argument Against Evangelical Christianity
  • About
  • Another Relationship Story
  • Cat Owners Manual
  • Cats
  • Clayton Checks out The Complex’s Theater
  • Clayton Draper and the Terrible, Horrible, No Good, Very Bad Review
  • Clayton Reads a Classic
  • Commonplace Book
  • Dinosaur Party
  • Disclaimer
  • Disgrace, by J.M. Coetzee
  • Falling
  • How Poem Titles Get Created
  • How the Dead Dream, by Lydia Millet
  • In The Lake of the Woods, by Tim O’Brien
  • Jesus’ Son, by Denis Johnson
  • Kitties in the Night
  • Memoir Excerpts
  • Novel Excerpts
  • Poems
  • Reviews
  • Reviews
  • Short Shorts
    • On Cue
    • T Ray Sayin’
    • The Reader’s Marginal Notes
    • What You Can Learn in a Bar
  • Sleeping with the Stereo On
  • Snake
  • Songdogs, and Fishing the Sloe-Black River, by Colum McCann
  • Stories
    • My Private Dictionary
  • The Artist
  • Train Dreams, by Denis Johnson
  • What Good Writing Looks Like: “Eyewall,” from Lauren Groff’s FLORIDA
  • Writing Instruction from John Barth’s “Lost in the Funhouse”
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